Nusrat Fateh Ali Khan |
|
Birth name | Pervez Fateh Ali Khan |
Born | 13 October 1948 Faisalabad, Punjab, Pakistan |
Died | August 16, 1997 (aged 48) London, England |
Genres | Qawwali, Ghazal, Fusion |
Occupations | Musician |
Instruments | Vocals, harmonium |
Years active | 1965–1997 |
Labels | Real World, OSA, EMI, Virgin Records |
Nusrat Fateh Ali
Khan (Punjabi: نصرت فتح علی خان (Shahmukhī)) (born in Faisalabad,
Pakistan) (October 13, 1948 – August 16, 1997) is the scion of a family
whose name has become synonymous with a South Asian musical tradition
ten centuries old, which has only in recent years captured the
imagination of listeners in the West.
Qawwali music (the
word derives from the Arabic word “qual”, which means “belief” or
“credo”) is the explosive devotional music of the Sufis –Muslim mystics —
of Pakistan and the Indian Subcontinent. It originated in the 10th
century as a blend of Persian and Central Asian poetic, philosophical
and religious elements with North Indian musical expression. Originally,
and still today, the most common venues for the performance of Qawwali
music are the traditional Thursday evening sessions of Sufi congregates
gathered at the shrines of any of the hundreds of Muslim saints of the
region. Groups of Qawwals (the lead performers of this music) play
through the night, the best performing near dawn. The Qawwals are heard
by “the friends” (the rank-and-file members of the Sufi orders
themselves) the Pirs (holy men who serve as spiritual guides) and by
laymen a like. Significantly, qawwali music evolved long ago into a
popular form of musical expression with a wide following among persons
of all the South Asian religious faiths.
Qawwali music is
inseparably linked to the name of Amir Khusrau (1254-1325), court
musician, composer, poet and mystic, who experimented with diverse
musical forms, combining the Indian and the Persian and the Muslim Sufi,
arriving at a penetrating synthesis of Islamic devotional texts with
North Indian classical music. Toward the middle of the sixteenth
century, an idiosyncratic style of qawwali music arose in the Punjab
which came to be known as the Punjabi ‘Ang’, weaving the profound texts
of Punjabi Sufism with folk material including more energetic percussive
themes and newfound haunting melodies.
In modern times,
another individual emerged as the central figure in qawwali music,
destined to carry the music to new audiences and, for the first time,
beyond the borders of the lands of its origins. His name was Nusrat
Fateh Ali Khan (1949-1997). Nusrat, a singer of mythic proportions with a
worldly other, trance-inducing voice, was the son of the great Fateh
Ali Khan, brother of Farrukh Fateh Ali Khan, and uncle of Rahat. In Sufi
Islam, Qawwali is also a form of prayer and an ultimate link to God.
Although Qawwali is a symbol of Sufi Islam, Qawwali tradition was dying
but credit goes to Nusrat that he brought back Qawwali into the world
and positively used his rhythmic music to bring people together.
He was discovered
and promoted by British pop star Peter Gabriel through Gabriel’s Real
World record label and WOMAD international festival production company
beginning in 1988,creating a wave of interest among listeners in the
West. Soon He was appreciated and followed by people around the world.
He has been awarded on a number of occasions during his lifetime, some
of which include: Unicef Musical Award, French cultural Award, French
grand-prix Award and Japan foco Asian cultural award.
Nusrat was one of
the greatest artists of Sufi music and he carried a spiritual message to
the world. He was like an ambassador of peace, he carried the message
of Allah which is peace and love. In fact Nusrat gave a positive image
of the Muslims to the world. His music and voice were like a bridge
between all religions, spreading the message of peace and spirituality
to the masses. His untimely death was widely mourned outside of South
Asia and his recordings continue to exhibit a measure of mass appeal
throughout the entire world.
In the last five
decades, Ustad Fateh Ali Khan and Ustad Mubarak Ali Khan were considered
the past-master of the Qawwali. Both the brothers were gre.n Ustads of
classical Music and their virtuosity in Qawwali is acknowledged by every
one. Especially, Ustad Fateh Ali Khan Qawwal was a great musicologist.
Vocalist and instrumentalist.
Qawwals were taught
under his tutelage. Ustad Fateh Ali Khan Qawwal was a great patriot. On
Pakistan’s Movement, he composed many good tunes in the praise of Muslim
League and Quaid-e-Azam. He performed these tunes in every nook and
corner of the Sub-Continent and gave the message of Allama Iqbal and the
Quaid to the nation and alert them from the hypocrite Hindus and
irijected the people for the want of Pakistan. And when Pakistan came
into being, Kh. Nazimuddin and Nawabzada Liaquat Ali ~Khan applauded
much and acknawledged the great Service of Ustad Fateh Ali Khan Qawwal.
The Government of Pakistan gave them the richest award “Pride of
Performance” in 1960. Ustad Fateh Ali Khan Qawwal died in 1964. At that
time his son Nusrat was in Matric. He was compelled to join the party by
his family members. Under the guidance af his paternal Uncle Ustad
Mabarak Ali Khan, he became the Party’s leader and the party started
with the new title — Nusrat Fateh Ali Khan Mujahid Mabarak Ali Khan
& Party. IN no time, Nusrat Fateh Ali Khan got hold on all the
prominent Qawwal parties and his familiarity spreaded like the jungle’s
fire in the country. Then the famous ntovies maker Rajkapoor booked him
on his son Rishi Kappor’s marriage in Bombay. In India, Nusrat Fateh Ali
Khan gave a remarkable perfarmance on many stages and spellbound the
audience by his untouchable speed of “Sargam” and astonishing rhythmetic
use in qawwali . After this tour, Nusrat got the unmatched position in
the Sub-Continent. In the yester years he toured abroad. He was booked
in Great Britain by WOMAD festival; he toured successfully to France,
Japan, Holland, South Africa, Portugal Mid-East and Saudi Arabia. He
performed Hajj and observed “Umra” twicely. The Government of Pakistan,
on his splended services to represent Pakistan’s Culture in foreign
countries honoured him with “Pride of Performance in 1986.”
After his tour of
Amercia, the American government moved by his stj.~le of Qawali and
songs; honoured Nusrat to teach his music and give some lectures to the
University students in America. Nusrat a versatile singer for the great
composer, Peter Gabriel, who booked him for his movie “The Last
Temptation of Christ” as a playback singer and obviously its a great
honour for a Pakistani Singer.
Nusrat Khan is now,
Ustad Nusrat Fateh Ali Khan. He is a great ctasical vocalist of the
calibre. For the last 23 years, he too is singing classical music on the
Anniversary of his father at Faisalabad. He gave many unforgettable
classical.
Performances on
stages of Arijuman Ittehad, Mosiqaran LHR.; Classical Music Guild (Pak)
All Pakistan Music Conferences. He won a great many titles. Most
probably from every country where he performed and many appreciable
nicknames i.e. Mr. Ali Ali Mr. Allah Hoo, Buddha etc etc. Ustad Nusrat s
contributions in Qawali classical music and compositions are
marvellous. His name is a certificate in all the spheres of music. His
luring personality wins the hearts of his visitors. He is a thorough
gentleman, hosptialble and sympathetic. He is a pride of Pakistan and
pakistan is proud of him.
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